Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.

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Then you could use the fingers to stretch the hairs when playing fewer strings or a single string. Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: Editor Fontgara Peter Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language.

The illustration from Regola Rubertina lower right, opposite appears to show this hold.

Sylvestro Ganassi’s Fontegara

The thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize fonntegara, keeping it on the strings and exerting more or less pressure according to the need. Treatise on playing the recorder and ornamentation, published in Venice Some interpretations of this passage conclude that the bow is to be held without touching the hair, [4] whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string.

Please obey the copyright laws of your country. The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi’s writings. Title Opera intitulata Fontegara, la guale insegna gaanassi sonare di flauto chon tutta l’arte opportuna a esso fontgeara massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: Views Read Edit View history.


Sylvestro Ganassi – La fontegara

Retrieved from ” http: Summary [ edit ] Description Ganassi fontegara. This is because the hairs on a longer bow would be less stretched, allowing one to draw the bow with less pressure on the strings while playing a chord.

This page was last edited on 26 Aprilat His second in two volumes is about the viola da gamba: I can say that if you wished to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used.

None [ force assignment ] First Pub lication. Opera intitulata Fontegara Venice, Contents 1 Performances 2 Sheet Music 2.

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Sylvestro Ganassi – La fontegara – NaxosDirect

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Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontegoand Silvestro dal Fontego 1 January — [1] was a Venetian musician and author of two important treatises on instrumental technique.

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There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f. Views View Edit History. Sylvestro Ganassi English translation based on German fontegra published in This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

Retrieved from ” https: In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:.

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Ganassi’s Regola Rubertina is among the earliest sources of ganaesi to the viol player on how to hold the bow. Work Title Opera intitulata Fontegara Alt ernative. His first treatise covers recorder playing: Information on the source of the scan is lacking. His treatises are now available in modern editions. They cover both technicalities of playing and the subtleties of expression.

The following other wikis use this file: You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers. Men in art Silvestro Ganassi dal Fontego. Public domain Public domain false false.

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